The donor-geography chapter asked where the money comes from; this one asks where the people come from. Counts are registrations by the registering household’s distance band (straight-line miles — see Methodology); registrations without a geocodable address (about 2%) are dropped.
Figure 10.1: Where each programming type’s registrations come from (share by distance band)
Classes serve the immediate community — 76% of class registrations come from within 10 miles (dance is similar at 76%). Performances pull from a much wider region: only 55% of theater, 59% of music, and 52% of opera registrations are that local, and roughly a third of theater (30%) and opera (34%) registrations come from beyond 20 miles.
10.1 Do weekend theater audiences travel differently?
For theater only, registrations from each distance band on each day of the week — “do Friday/Saturday audiences travel farther than Sunday’s?”
Sunday draws the farthest-traveling theater audience: 37% of Sunday registrations come from beyond 20 miles, versus 25% on Friday and 29% on Saturday. Friday is the most local night. That fits the within-run finding in When do people come to Hubbard Hall?: the Sunday matinee is not a neighborhood habit — it is when out-of-area visitors come.